Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Diego Velazquez
Trois Musiciens (df02)

ID: 22618

Diego Velazquez Trois Musiciens (df02)
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Diego Velazquez Trois Musiciens (df02)


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Diego Velazquez

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet  Related Paintings of Diego Velazquez :. | Portrait du nain Francisco Lezcano (el Nino de Vallecas) (df02) | Portrait du comte-duc d'Olivares (df02) | Etude pour la tete d'Apollon dans La Forge de Vulcain (df02) | Adoration of the Magi (df01) | Christ in the House of Martha and Mary (df01) |
Related Artists:
delafontaine
född 8 juli 1621 i Chateau-Thierry, död 13 april 1695 i Paris, var en fransk författare.
Joachim Beuckelaer
1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
Dirck de Quade van Ravesteyn
Flemish painter 1565-1620






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